Framework Design


MLT is a multimedia framework designed for television broadcasting. As such, it provides a pluggable architecture for the inclusion of new audio/video sources, filters, transitions and playback devices.

The framework provides the structure and utility functionality on which all of the MLT applications and services are defined.

On its own, the framework provides little more than ‘abstract classes’ and utilities for managing resources, such as memory, properties, dynamic object loading and service instantiation.

This document is split roughly into 3 sections. The first section provides a basic overview of MLT, the second section shows how it’s used and the final section shows structure and design, with an emphasis on how the system is extended.

Target Audience

This document is provided as a ‘road map’ for the framework and should be considered mandatory reading for anyone wishing to develop code at the MLT level.

This includes:

  1. framework maintainers;
  2. module developers;
  3. application developers;
  4. anyone interested in MLT.

The emphasis of the document is in explaining the public interfaces, as opposed to the implementation details.

It is not required reading for the MLT client/server integration - please refer to libmvsp.txt and mvsp.txt for more details on this area.


Basic Design Information

MLT is written in C.

The framework has no dependencies other than the standard C99 and POSIX libraries.

It follows a basic Object Oriented design paradigm, and as such, much of the design is loosely based on the Producer/Consumer design pattern.

It employs Reverse Polish Notation for the application of audio and video FX.

The framework is designed to be colour space neutral - the currently implemented modules, however, are very much 8bit YUV422 oriented. In theory, the modules could be entirely replaced.

A vague understanding of these terms is assumed throughout the remainder of this document.

Structure and Flow

The general structure of an MLT ‘network’ is simply the connection of a ‘producer’ to a ‘consumer’:

  +--------+   +--------+
  +--------+   +--------+

A typical consumer requests MLT Frame objects from the producer, does something with them and when finished with a frame, closes it.

A common confusion with the producer/consumer terminology used here is that a consumer may ‘produce’ something. For example, the libdv consumer produces DV and the libdv producer seems to consume DV. However, the naming conventions refer only to producers and consumers of MLT Frames.

To put it another way - a producer produces MLT Frame objects and a consumer consumes MLT Frame objects.

An MLT Frame essentially provides an uncompressed image and its associated audio samples.

Filters may also be placed between the producer and the consumer:

+--------+   +------+   +--------+
+--------+   +------+   +--------+

A service is the collective name for producers, filters, transitions and consumers.

The communications between a connected consumer and producer or service are carried out in 3 phases:

  • get the frame
  • get the image
  • get the audio

MLT employs ‘lazy evaluation’ - the image and audio need not be extracted from the source until the get image and audio methods are invoked.

In essence, the consumer pulls from what it’s connected to - this means that threading is typically in the domain of the consumer implementation and some basic functionality is provided on the consumer class to ensure realtime throughput.


Hello World

Before we go in to the specifics of the framework architecture, a working example of usage is provided.

The following simply provides a media player:

#include <stdio.h>
#include <unistd.h>
#include <framework/mlt.h>

int main( int argc, char *argv[] )
    // Initialise the factory
    if ( mlt_factory_init( NULL ) == 0 )
        // Create the default consumer
        mlt_consumer hello = mlt_factory_consumer( NULL, NULL );

        // Create via the default producer
        mlt_producer world = mlt_factory_producer( NULL, argv[ 1 ] );

        // Connect the producer to the consumer
        mlt_consumer_connect( hello, mlt_producer_service( world ) );

        // Start the consumer
        mlt_consumer_start( hello );

        // Wait for the consumer to terminate
        while( !mlt_consumer_is_stopped( hello ) )
            sleep( 1 );

        // Close the consumer
        mlt_consumer_close( hello );

        // Close the producer
        mlt_producer_close( world );

        // Close the factory
        mlt_factory_close( );
        // Report an error during initialisation
        fprintf( stderr, "Unable to locate factory modules\n" );

    // End of program
    return 0;

This is a simple example - it doesn’t provide any seeking capabilities or runtime configuration options.

The first step of any MLT application is the factory initialisation - this ensures that the environment is configured and MLT can function. The factory is covered in more detail below.

All services are instantiated via the factories, as shown by the mlt_factory_consumer and mlt_factory_producer calls above. There are similar factories for filters and transitions. There are details on all the standard services in services.txt.

The defaults requested here are a special case - the NULL usage requests that we use the default producers and consumers.

The default producer is “loader”. This producer matches file names to locate a service to use and attaches ‘normalising filters’ (such as scalers, deinterlacers, resamplers and field normalisers) to the loaded content - these filters ensure that the consumer gets what it asks for.

The default consumer is “sdl”. The combination of loader and sdl will provide a media player.

In this example, we connect the producer and then start the consumer. We then wait until the consumer is stopped (in this case, by the action of the user closing the SDL window) and finally close the consumer, producer and factory before exiting the application.

Note that the consumer is threaded - waiting for an event of some sort is always required after starting and before stopping or closing the consumer.

Also note, you can override the defaults as follows:

MLT_CONSUMER=xml ./hello file.avi

This will create a XML document on stdout.

MLT_CONSUMER=xml MLT_PRODUCER=avformat ./hello file.avi

This will play the video using the avformat producer directly, thus it will bypass the normalising functions.

MLT_CONSUMER=libdv ./hello file.avi > /dev/dv1394

This might, if you’re lucky, do on the fly, realtime conversions of file.avi to DV and broadcast it to your DV device.


As shown in the ‘Hello World’ example, factories create service objects.

The framework itself provides no services - they are provided in the form of a plugin structure. A plugin is organised in the form of a ‘module’ and a module can provide many services of different types.

Once the factory is initialised, all the configured services are available for use.

mlt_factory_prefix() returns the path to the location of the installed modules directory. This can be specified in the mlt_factory_init call itself, or it can be specified via the MLT_REPOSITORY environment variable, or in the absence of either of those, it will default to the install prefix/shared/mlt/modules.

mlt_environment() provides read only access to a collection of name=value pairs as shown in the following table:

Name Description Values
MLT_NORMALISATION The normalisation of the system PAL or NTSC
MLT_PRODUCER The default producer “loader” or other
MLT_CONSUMER The default consumer “sdl” or other
MLT_TEST_CARD The default test card producer any producer

These values are initialised from the environment variables of the same name.

As shown above, a producer can be created using the ‘default normalising’ producer, and they can also be requested by name. Filters and transitions are always requested by name - there is no concept of a ‘default’ for these.

Service Properties

All services have their own set of properties than can be manipulated to affect their behaviour.

In order to set properties on a service, we need to retrieve the properties object associated to it. For producers, this is done by invoking:

mlt_properties properties = mlt_producer_properties( producer );

All services have a similar method associated to them.

Once retrieved, setting and getting properties can be done directly on this object, for example:

mlt_properties_set( properties, "name", "value" );

A more complete description of the properties object is found below.


So far, we’ve shown a simple producer/consumer configuration - the next phase is to organise producers in playlists.

Let’s assume that we’re adapting the Hello World example, and wish to queue a number of files for playout, ie:

hello *.avi

Instead of invoking mlt_factory_producer directly, we’ll create a new function called create_playlist. This function is responsible for creating the playlist, creating each producer and appending to the playlist.

mlt_producer create_playlist( int argc, char **argv )
    // We're creating a playlist here
    mlt_playlist playlist = mlt_playlist_init( );

    // We need the playlist properties to ensure clean up
    mlt_properties properties = mlt_playlist_properties( playlist );

    // Loop through each of the arguments
    int i = 0;
    for ( i = 1; i < argc; i ++ )
        // Create the producer
        mlt_producer producer = mlt_factory_producer( NULL, argv[ i ] );

        // Add it to the playlist
        mlt_playlist_append( playlist, producer );

        // Close the producer (see below)
        mlt_producer_close( producer );

    // Return the playlist as a producer
    return mlt_playlist_producer( playlist );

Notice that we close the producer after the append. Actually, what we’re doing is closing our reference to it - the playlist creates its own reference to the producer on append and insert, and it will close its reference when the playlist is destroyed[*].

Note also that if you append multiple instances of the same producer, it will create multiple references to it.

Now all we need do is to replace these lines in the main function:

// Create a normalised producer
       mlt_producer world = mlt_factory_producer( NULL, argv[ 1 ] );


// Create a playlist
       mlt_producer world = create_playlist( argc, argv );

and we have a means to play multiple clips.

[*] This reference functionality was introduced in mlt 0.1.2 - it is 100% compatable with the early mechanism of registering the reference and destructor with the properties of the playlist object.


Inserting filters between the producer and consumer is just a case of instantiating the filters, connecting the first to the producer, the next to the previous filter and the last filter to the consumer.

For example:

// Create a producer from something
mlt_producer producer = mlt_factory_producer( ... );

// Create a consumer from something
mlt_consumer consumer = mlt_factory_consumer( ... );

// Create a greyscale filter
mlt_filter filter = mlt_factory_filter( "greyscale", NULL );

// Connect the filter to the producer
mlt_filter_connect( filter, mlt_producer_service( producer ), 0 );

// Connect the consumer to filter
mlt_consumer_connect( consumer, mlt_filter_service( filter ) );

As with producers and consumers, filters can be manipulated via their properties object - the mlt_filter_properties method can be invoked and properties can be set as needed.

The additional argument in the filter connection is an important one as it dictates the ‘track’ on which the filter operates. For basic producers and playlists, there’s only one track (0), and as you will see in the next section, even multiple tracks have a single track output.

Attached Filters

All services can have attached filters.

Consider the following example:

// Create a producer
    mlt_producer producer = mlt_factory_producer( NULL, clip );

    // Get the service object of the producer
    mlt_producer service = mlt_producer_service( producer );

    // Create a filter
    mlt_filter filter = mlt_factory_filter( "greyscale" );

    // Create a playlist
    mlt_playlist playlist = mlt_playlist_init( );

    // Attach the filter to the producer
    mlt_service_attach( producer, filter );

    // Construct a playlist with various cuts from the producer
    mlt_playlist_append_io( producer, 0, 99 );
    mlt_playlist_append_io( producer, 450, 499 );
    mlt_playlist_append_io( producer, 200, 399 );

    // We can close the producer and filter now
    mlt_producer_close( producer );
    mlt_filter_close( filter );

When this is played out, the greyscale filter will be executed for each frame in the playlist which comes from that producer.

Further, each cut can have their own filters attached which are executed after the producer’s filters. As an example:

// Create a new filter
filter = mlt_factory_filter( "invert", NULL );

// Get the second 'clip' in the playlist
producer = mlt_playlist_get_clip( 1 );

// Get the service object of the clip
service = mlt_producer_service( producer );

// Attach the filter
mlt_service_attach( producer, filter );

// Close the filter
mlt_filter_close( filter );

Even the playlist itself can have an attached filter:

// Create a new filter
filter = mlt_factory_filter( "watermark", "+Hello.txt" );

// Get the service object of the playlist
service = mlt_playlist_service( playlist );

// Attach the filter
mlt_service_attach( service, filter );

// Close the filter
mlt_filter_close( filter );

And, of course, the playlist, being a producer, can be cut up and placed on another playlist, and filters can be attached to those cuts or on the new playlist itself and so on ad nauseum.

The main advantage of attached filters is that they remain attached and don’t suffer from the maintenance problems associated with items being inserted and displacing calculated in/out points - this being a major issue if you exclusively use the connect or insert detached filters in a multitrack field (described below).

Introducing the Mix

The mix is the simplest way to introduce transitions between adjacent clips on a playlist.

Consider the following playlist:

|X|A                     |B                           |X|

Let’s assume that the ‘X’ is a ‘black clip’ of 50 frames long.

When you play this out, you’ll get a 50 frames of black, abrupt cut into A, followed by an abrupt cut into B, and finally into black again.

The intention is to convert this playlist into something like:

|X|A                    |A|B                       |B|
|A|                     |B|                        |X|

Where the clips which refer to 2 clips represent a transition. Notice that the representation of the second playlist is shorter than the first - this is to be expected - a single transition of 50 frames between two clips will reduce the playtime of the result by 50 frames.

This is done via the use of the mlt_playlist_mix method. So, assuming you get a playlist as shown in the original diagram, to do the first mix, you could do something like:

// Create a transition
mlt_transition transition = mlt_factor_transition( "luma", NULL );

// Mix the first and second clips for 50
mlt_playlist_mix( playlist, 0, 50, transition );

// Close the transition
mlt_transition_close( transition );

This would give you the first transition, subsequently, you would apply a similar technique to mix clips 1 and 2. Note that this would create a new clip on the playlist, so the next mix would be between 3 and 4.

As a general hint, to simplify the requirement to know the next clip index, you might find the following simpler:

// Get the number of clips on the playlist
int i = mlt_playlist_count( );

// Iterate through them in reverse order
while ( i -- )
    // Create a transition
    mlt_transition transition = mlt_factor_transition( "luma", NULL );

    // Mix the first and second clips for 50
    mlt_playlist_mix( playlist, i, 50, transition );

    // Close the transition
    mlt_transition_close( transition );

There are other techniques, like using the mlt_playlist_join between the current clip and the newly created one (you can determine if a new clip was created by comparing the playlist length before and after the mix call).

Internally, the mlt_playlist_mix call generates a tractor and multitrack as described below. Like the attached filters, the mix makes life very simple when you’re inserting items into the playlist.

Also note that it allows a simpler user interface - instead of enforcing the use of a complex multitrack object, you can do many operations on a single track. Thus, additional tracks can be used to introduce audio dubs, mixes or composites which are independently positioned and aren’t affected by manipulations on other tracks. But hey, if you want a bombastic, confusing and ultimately frustrating traditional NLE experience, that functionality is provided too ;-).

Practicalities and Optimisations

In the previous two sections I’ve introduced some powerful functionality designed to simplify MLT usage. However, a general issue comes into this - what happens when you introduce a transition between two cuts from the same bit of video footage?

Anyone who is familiar with video compression will be aware that seeking isn’t always without consequence from a performance point of view. So if you happen to require two frames from the same clip for a transition, the processing is going to be excessive and the result will undoubtedly be very unpleasant, especially if you’re rendering in realtime…

So how do we get round this?

Actually, it’s very simple - you invoke mlt_producer_optimise on the top level object after a modification and MLT will determine how to handle it. Internally, it determines the maximum number of overlapping instances throughout the object and creates clones and assigns clone indexes as required.

In the mix example above, you can simply call:

// Optimise the playlist
mlt_producer_optimise( mlt_playlist_producer( playlist ) );

after the mix calls have be done. Note that this is automatically applied to deserialised MLT XML.

Multiple Tracks and Transitions

MLT’s approach to multiple tracks is governed by two requirements:

  1. The need for a consumer and producer to communicate with one another via a single frame;
  2. The desire to be able to serialise and manipulate a ‘network’ (or filter graph if you prefer).

We can visualise a multitrack in the way that an NLE presents it:

   +-----------------+                          +-----------------------+
0: |a1               |                          |a2                     |
1:                 |b1                            |

The overlapping areas of track 0 and 1 would (presumably) have some kind of transition - without a transition, the frames from b1 and b2 would be shown during the areas of overlap (ie: by default, the higher numbered track takes precedence over the lower numbered track).

MLT has a multitrack object, but it is not a producer in the sense that it can be connected directly to a consumer and everything will work correctly. A consumer would treat it precisely as it would a normal producer, and, in the case of the multitrack above, you would never see anything from track 1 other than the transitions between the clips - the gap between a1 and a2 would show test frames.

This happens because a consumer pulls one frame from the producer it’s connected to while a multitrack will provide one frame per track. Something, somewhere, must ensure that all frames are pulled from the multitrack and elect the correct frame to pass on.

Hence, MLT provides a wrapper for the multitrack, which is called a ‘tractor’, and its the tractors task to ensure that all tracks are pulled evenly, the correct frame is output and that we have ‘producer like’ behaviour.

Thus, a multitrack is conceptually ‘pulled’ by a tractor as shown here:

| +------+ |    +-------+
| |track0|-|--->|tractor|
| +------+ |    |\      |
|          |    | \     |
| +------+ |    |  \    |
| |track1|-|--->|---o---|--->
| +------+ |    |  /    |
|          |    | /     |
| +------+ |    |/      |
| |track2|-|--->|       |
| +------+ |    +-------+

With a combination of the two, we can now connect multitracks to consumers. The last non-test card will be retrieved and passed on.

The tracks can be producers, playlists, or even other tractors.

Now we wish to insert filters and transitions between the multitrack and the tractor. We can do this directly by inserting filters directly between the tractor and the multitrack, but this involves a lot of connecting and reconnecting left and right producers and consumers, and it seemed only fair that we should be able to automate that process.

So in keeping with our agricultural theme, the concept of the ‘field’ was born. We ‘plant’ filters and transitions in the field and the tractor pulls the multitrack (think of a combine harvester :-)) over the field and produces a ‘bail’ (sorry - kidding - frame :-)).

Conceptually, we can see it like this:

| +------+ |    +-------------+    +-------+
| |track0|-|--->|field        |--->|tractor|
| +------+ |    |             |    |\      |
|          |    |   filters   |    | \     |
| +------+ |    |     and     |    |  \    |
| |track1|-|--->| transitions |--->|---o---|--->
| +------+ |    |             |    |  /    |
|          |    |             |    | /     |
| +------+ |    |             |    |/      |
| |track2|-|--->|             |--->|       |
| +------+ |    +-------------+    +-------+

So, we need to create the tractor first, and from that we obtain the multitrack and field objects. We can populate these and finally connect the tractor to a consumer.

In essence, this is how it looks to the consumer:

|tractor          +--------------------------+  |
| +----------+    | +-+    +-+    +-+    +-+ |  |
| |multitrack|    | |f|    |f|    |t|    |t| |  |
| | +------+ |    | |i|    |i|    |r|    |r| |  |
| | |track0|-|--->| |l|- ->|l|- ->|a|--->|a|\|  |
| | +------+ |    | |t|    |t|    |n|    |n| |  |
| |          |    | |e|    |e|    |s|    |s| |\ |
| | +------+ |    | |r|    |r|    |i|    |i| | \|
| | |track1|-|- ->| |0|--->|1|--->|t|--->|t|-|--o--->
| | +------+ |    | | |    | |    |i|    |i| | /|
| |          |    | | |    | |    |o|    |o| |/ |
| | +------+ |    | | |    | |    |n|    |n| |  |
| | |track2|-|- ->| | |- ->| |--->|0|- ->|1|/|  |
| | +------+ |    | | |    | |    | |    | | |  |
| +----------+    | +-+    +-+    +-+    +-+ |  |
|                 +--------------------------+  |

An example will hopefully clarify this.

Let’s assume that we want to provide a ‘watermark’ to our hello world example. We have already extended the example to play multiple clips, and now we will place a text based watermark, reading ‘Hello World’ in the top left hand corner:

mlt_producer create_tracks( int argc, char **argv )
    // Create the tractor
    mlt_tractor tractor = mlt_tractor_new( );

    // Obtain the field
    mlt_field field = mlt_tractor_field( tractor );

    // Obtain the multitrack
    mlt_multitrack multitrack = mlt_tractor_multitrack( tractor );

    // Create a composite transition
    mlt_transition transition = mlt_factory_transition( "composite", "10%/10%:15%x15%" );

    // Create track 0
    mlt_producer track0 = create_playlist( argc, argv );

    // Create the watermark track - note we NEED loader for scaling here
    mlt_producer track1 = mlt_factory_producer( "loader", "pango" );

    // Get the length of track0
    mlt_position length = mlt_producer_get_playtime( track0 );

    // Set the properties of track1
    mlt_properties properties = mlt_producer_properties( track1 );
    mlt_properties_set( properties, "text", "Hello\nWorld" );
    mlt_properties_set_position( properties, "in", 0 );
    mlt_properties_set_position( properties, "out", length - 1 );
    mlt_properties_set_position( properties, "length", length );
    mlt_properties_set_int( properties, "a_track", 0 );
    mlt_properties_set_int( properties, "b_track", 1 );

    // Now set the properties on the transition
    properties = mlt_transition_properties( transition );
    mlt_properties_set_position( properties, "in", 0 );
    mlt_properties_set_position( properties, "out", length - 1 );

    // Add our tracks to the multitrack
    mlt_multitrack_connect( multitrack, track0, 0 );
    mlt_multitrack_connect( multitrack, track1, 1 );

    // Now plant the transition
    mlt_field_plant_transition( field, transition, 0, 1 );

    // Close our references
    mlt_producer_close( track0 );
    mlt_producer_close( track1 );
    mlt_transition_close( transition );

    // Return the tractor
    return mlt_tractor_producer( tractor );

Now all we need do is to replace these lines in the main function:

// Create a playlist
mlt_producer world = create_playlist( argc, argv );


// Create a watermarked playlist
mlt_producer world = create_tracks( argc, argv );

and we have a means to play multiple clips with a horribly obtrusive watermark - just what the world needed, right? ;-)

Incidentally, the same thing could be achieved with the more trivial watermark filter inserted between the producer and the consumer.


Class Hierarchy

The mlt framework consists of an object-oriented class hierarchy which consists of the following public classes and abstractions:


Each class defined above can be read as extending the classes above and to the left.

The following sections describe the properties, stacking/queuing and memory pooling functionality provided by the framework - these are key components and a basic understanding of these is required for the remainder of the documentation.


The properties class is the base class for the frame and service classes.

It is designed to provide an efficient lookup table for various types of information, such as strings, integers, floating points values and pointers to data and data structures.

All properties are indexed by a unique string.

The most basic use of properties is as follows:

// 1. Create a new, empty properties set;
mlt_properties properties = mlt_properties_new( );

// 2. Assign the value "world" to the property "hello";
mlt_properties_set( properties, "hello", "world" );

// 3. Retrieve and print the value of "hello";
printf( "%s\n", mlt_properties_get( properties, "hello" ) );

// 4. Reassign "hello" to "world!";
mlt_properties_set( properties, "hello", "world!" );

// 5. Retrieve and print the value of "hello";
printf( "%s\n", mlt_properties_get( properties, "hello" ) );

// 6. Assign the value "0" to "int";
mlt_properties_set( properties, "int", "0" );

// 7. Retrieve and print the integer value of "int";
printf( "%d\n", mlt_properties_get_int( properties, "int" ) );

// 8. Assign the integer value 50 to "int2";
mlt_properties_set_int( properties, "int2", 50 );

// 9. Retrieve and print the double value of "int2";
printf( "%s\n", mlt_properties_get( properties, "int2" ) );

Steps 2 through 5 demonstrate that the “name” is unique - set operations on an existing “name” change the value. They also free up memory associated to the previous value. Note that it also possible to change type in this way too.

Steps 6 and 7 demonstrate that the properties object handles deserialisation from strings. The string value of “0” is set, the integer value of 0 is retrieved.

Steps 8 and 9 demonstrate that the properties object handles serialisation to strings.

To show all the name/value pairs in a properties, it is possible to iterate through them:

for ( i = 0; i < mlt_properties_count( properties ); i ++ )
    printf( "%s = %s\n", mlt_properties_get_name( properties, i ),
                         mlt_properties_get_value( properties, i ) );

Note that properties are retrieved in the order in which they are set.

Properties are also used to hold pointers to memory. This is done via the set_data call:

uint8_t *image = malloc( size );
mlt_properties_set_data( properties, "image", image, size, NULL, NULL );

In this example, we specify that the pointer can be retrieved from properties by a subsequent request to get_data:

image = mlt_properties_get_data( properties, "image", &size );


image = mlt_properties_get_data( properties, "image", NULL );

if we don’t wish to retrieve the size.

Two points here:

  1. The allocated memory remains after the properties object is closed unless you specify a destructor. In the case above, this can be done with:
mlt_properties_set_data( properties, "image", image, size, free, NULL );

When the properties are closed, or the value of “image” is changed, the destructor is invoked.

  1. The string value returned by mlt_properties_get is NULL. Typically, you wouldn’t wish to serialise an image as a string, but other structures might need such functionality - you can specify a serialiser as the last argument if required (declaration is char *serialise( void * )).

Properties also provides some more advanced usage capabilities.

It has the ability to inherit all serialisable values from another properties object:

mlt_properties_inherit( this, that );

It has the ability to mirror properties set on this on another set of properties:

mlt_properties_mirror( this, that );

After this call, all serialisable values set on this are passed on to that.


Stacks and queues are essential components in the MLT framework. Being of a lazy disposition, we elected to implement a ‘Double Ended Queue’ (deque) - this encapsulates the functionality of both.

The stacking operations are used in a number of places:

  • Reverse Polish Notation (RPN) image and audio operations
  • memory pooling

The queuing operations are used in:

  • the consumer base class;
  • consumer implementations may require further queues.


The MLT framework provides memory pooling capabilities through the mlt_pool API. Once initilialised, these can be seen as a straightforward drop in replacement for malloc/realloc/free functionality.

The background behind this API is that malloc/free operations are notoriously inefficient, especially when dealing with large blocks of memory (such as an image). On linux, malloc is optimised for memory allocations less than 128k - memory blocks allocated of these sizes or less are retained in the process heap for subsequent reuse, thus bypassing the kernel calls for repeated allocation/frees for small blocks of memory. However, blocks of memory larger than that require kernel calls and this has a detrimental impact on performance.

The mlt_pool design is simply to hold a list of stacks - there is one stack per 2^n bytes (where n is between 8 and 31). When an alloc is called, the requested size is rounded to the next 2^n, the stack is retrieved for that size, and an item is popped or created if the stack is empty.

Each item has a ‘header’, situated immediately before the returned address - this holds the ‘stack’ to which the item belongs.

When an item is released, we retrieve the header, obtain the stack and push it back.

Thus, from the programmers point of view, the API is the same as the traditional malloc/realloc/free calls:

void *mlt_pool_alloc( int size );
void *mlt_pool_realloc( void *ptr, int size );
void mlt_pool_release( void *release );


A frame object is essentially defined as:

image stack
audio stack

The life cycle of a frame can be represented as follows:

Stage Producer Filter Consumer
0.0     Request frame
0.1   Receives request  
    Request frame  
0.2 Receives request    
  Generates frame for    
  current position    
  Increments position    
0.3   Receives frame  
    Updates frame  
0.4     Receives frame

Note that neither the filter nor the consumer have any conception of ‘position’ until they receive a frame. Speed and position are properties of the producer, and they are assigned to the frame object when the producer creates it.

Step 0.3 is a critical one here - if the filter determines that the frame is of interest to it, then it should manipulate the image and/or audio stacks and properties as required.

Assuming that the filter deals with both image and audio, then it should push data and methods on to the stacks which will deal with the processing. This can be done with the mlt_frame_push_image and audio methods. In order for the filter to register interest in the frame, the stacks should hold:

  image stack:
  [ producer_get_image ] [ data1 ] [ data2 ] [ filter_get_image ]

  audio stack:
  [ producer_get_audio ] [ data ] [ filter_get_audio ]

The filter_get methods are invoked automatically when the consumer invokes a get_image on the frame.

Stage Producer Filter Consumer
1.0     frame_get_image
1.1   filter_get_image:  
    pop data2 and data1  
1.2 producer_get_image    
  Generates image    
1.3   Receives image  
    Updates image  
1.4     Receives image

Obviously, if the filter isn’t interested in the image, then it should leave the stack alone, and then the consumer will retrieve its image directly from the producer.

Similarly, audio is handled as follows:

Stage Producer Filter Consumer
2.0     frame_get_audio
2.1   filter_get_audio:  
    pop data  
2.2 producer_get_audio    
  Generates audio    
2.3   Receives audio  
    Updates audio  
2.4     Receives audio

And finally, when the consumer is done with the frame, it should close it.

Note that a consumer may not evaluate both image and audio for any given frame, especially in a realtime environment. See ‘Realtime Considerations’ below.

By default, a frame has the following properties:

Name Description Values
position The producers frame position 0 to n
speed The producers speed double
image The generated image NULL or pointer
alpha The generated alpha mask NULL or pointer
width The width of the image  
height The height of the image  
normalised_width The normalised width of the image 720
normalised_height The normalised height of the image 576 or 480
progressive Indicates progressive/interlaced 0 or 1
top_field_first Indicates top field first 0 or 1
audio The generated audio NULL or pointer
frequency The frequency of the audio  
channels The channels of the audio  
samples The samples of the audio  
aspect_ratio The sample aspect ratio of the image double
test_image Used to indicate no image available 0 or 1
test_audio Used to indicate no audio available 0 or 1

The consumer can attach the following properties which affect the default behaviour of a frame:

test_card_producer Synthesise test images from here NULL or pointer
consumer_aspect_ Apply this aspect ratio to the test double
ratio card producer  
rescale.interp Use this scale method for test image “string”

While most of these are mainly self explanatory, the normalised_width and normalised_height values require a little explanation. These are required to ensure that effects are consistently handled as PAL or NTSC, regardless of the consumers or producers width/height image request.

The test_image and audio flags are used to determine when images and audio should be synthesised.

Additional properties may be provided by the producer implementation, and filters, transitions and consumers may add additional properties to communicate specific requests. These are documented in modules.txt.


The service base class extends properties and allows 0 to m inputs and 0 to n outputs and is represented as follows:

- ->|           |- ->
- ->|  Service  |- ->
- ->|           |
    | properties|

Descendents of service impose restrictions on how inputs and outputs can be connected and will provide a basic set of properties. Typically, the service instance is encapsulated by the descendent in order for it to ensure that its connection rules are followed.

A service does not define any properties when constructed. It should be noted that producers, filters and transitions my be serialised (say, via the xml consumer), and care should be taken to distinguish between serialisable and transient properties. The convention used is to prefix transient properties with an underscore.

Typically, only direct descendents of services need invoke these methods and developers are encouraged to use those extensions when defining new services.


A producer has 0 inputs and 1 output:

|           |
| Producer  |--->
|           |
| service   |

A producer provides an abstraction for file readers, pipes, streams or any other image or audio input.

When instantiated, a producer has the following properties:

Name Description Values
mlt_type The producers type mlt_producer
position The producers frame position 0 to n
speed The producers speed double
fps The output frames per second 25 or 29.97
in The in point in frames 0 to length - 1
out The out point in frames in to length - 1
length The length of the input in frames 0 to n
aspect_ratio aspect_ratio of the source 0 to n
eof end of clip behaviour “pause” or “loop”
resource Constructor argument (ie: file name) "

Additional properties may be provided by the producer implementation.



Subscribe to News via RSS.

Recent Posts


MLT enables you to author, manage, and run multitrack audio/video compositions.
See our Hall of Fame
Copyright © 2008-2018 by Meltytech, LLC.

Social Links